- The Line Up for Sunday, August 19 – Readjusted on Saturday due to Weather — Saturday wrist bands will be accepted Sunday.
The Dirty Dozen Brass Band – 6:15pm
Celebrating over 40 years since their founding in 1977, New Orleans-based Dirty Dozen Brass Band has taken the traditional foundation of brass band music and incorporated it into a blend of genres including Bebop Jazz, Funk and R&B/Soul. This unique sound, described by the band as a ‘musical gumbo,’ has allowed the Dirty Dozen to tour across 5 continents and more than 30 countries, record 12 studio albums and collaborate with a range of artists from Modest Mouse to Widespread Panic to Norah Jones. Forty-plus years later, the Dirty Dozen Brass Band is a world famous music machine whose name is synonymous with genre-bending romps and high-octane performances.
In 1977, The Dirty Dozen Social and Pleasure Club in New Orleans began showcasing a traditional Crescent City brass band. It was a joining of two proud, but antiquated, traditions at the time: social and pleasure clubs dated back over a century to a time when black southerners could rarely afford life insurance, and the clubs would provide proper funeral arrangements. Brass bands, early predecessors of jazz as we know it, would often follow the funeral procession playing somber dirges, then once the family of the deceased was out of earshot, burst into jubilant dance tunes as casual onlookers danced in the streets. By the late ’70s, few of either existed. The Dirty Dozen Social and Pleasure Club decided to assemble this group as a house band, and over the course of these early gigs, the seven-member ensemble adopted the venue’s name: The Dirty Dozen Brass Band.
Selwyn Birchwood – 5pm
With his fiery guitar and lap steel playing, his trailblazing, instantly memorable songs and gritty, unvarnished vocals, Selwyn Birchwood is among the most extraordinary young stars in the blues.
His deep familiarity with blues tradition allows him to bust the genre wide open, adding new sounds, colors and textures, all delivered with a revival tent preacher’s fervor and a natural storyteller’s charisma. Since the 2014 release of his Alligator Records debut, Don’t Call No Ambulance,
Birchwood’s meteoric rise from playing small Florida clubs to headlining international festival stages is nothing short of phenomenal, as he continues to set the contemporary blues world on fire. The album received the Blues Music Award and Living Blues Critics’ Award for Best Debut Album Of 2014, and he won the 2015 Blues Blast Rising Star Award. Selwyn and his band have crisscrossed the U.S. and Europe repeatedly, delivering unforgettable live performances. With his new album, Pick Your Poison, Birchwood, along with his band—saxophonist Regi Oliver, bassist Huff Wright and drummer Courtney “Big Love” Girlie—takes a major step forward, crafting visionary blues for a new generation of forward-looking fans.
Jack Broadbent – 4pm
Hailed as “The new master of the slide guitar” by the Montreux Jazz Festival and “The real thang” by the legendary Bootsy Collins, Jack Broadbent has spent the past year wowing international audiences with his unique blend of virtuosic acoustic and slide guitar, and poignant folk and blues inspired vocals.
Following a string of successful shows opening for legendary artists, Lynyrd Skynyrd, Johnny Hallyday, Robben Ford, and Tony Joe White, Jack headlined his own whirlwind international tour, playing sold out shows for music lovers in Europe, New Zealand, Japan, the US and Canada.
Marcia Ball – 2pm
“Fifty years have passed in a flash,” says Texas-born, Louisiana-raised pianist, songwriter and vocalist Marcia Ball of her long and storied career. Ball, the 2018 Texas State Musician Of The Year, has won worldwide fame and countless fans for her ability to ignite a full-scale roadhouse rhythm and blues partyevery time she takes the stage.Her rollicking Texas boogies, swampy New Orleans ballads and groove-laden Gulf Coast blues have made her a one-of-a-kind favorite with music lovers all over the world. With each new release, her reputation as a profoundly soulful singer, a boundlessly talented pianist and a courageous, inventive songwriter continues to grow. Her love of the road has led to years of soul-satisfying performances at festivals, concert halls and clubs. The New York Times says, “Marcia Ball plays two-fisted New Orleans barrelhouse piano and sings in a husky, knowing voice about all the trouble men and women can get into on the way to a good time.” The Houston Chronicle says simply, “She’s as perfect as an artist can be.”With her new album, Shine Bright, Ball set out to, in her words, “Make the best Marcia Ball record I could make.” In doing so, she has put together the most musically substantial, hopeful and uplifting set of songs of her five-decade career. Produced by Steve Berlin (Los Lobos) and recorded in Texas and Louisiana, Shine Bright contains twelve songs (including nine originals), ranging from the title track’s rousing appeal for public and private acts of courage to the upbeat call to action of “Pots And Pans,” a song inspired by renowned Texas political writer and humorist Molly Ivins. From the humorous advice of “Life Of The Party” to the poignantly optimistic “World Full Of Love,” the intensity of Ball’s conviction never wavers while, simultaneously, the fun never stops. Shine Bright is exactly the album Ball set out to make. “It is a ridiculously hopeful, cheerful record,” she says, in light of some of the album’s more serious subject matter. The secret, according to Ball “is to set the political songs to a good dance beat.”
Stovall Brown Band – Noon
Chris Stovall Brown has been playing music since the age of six when his parents came home with a set of bongo drums, which he taught himself to play in a matter of days. At the age of eight, his elementary school offered him the opportunity to study drums and he grabbed it. Acquiring a drum a year for Christmas, Chris was soon playing with neighborhood bands and actually did his first gigging as a drummer at the tender age of 13. Playing in both jazz, rock and wedding bands helped him to gain a wealth of expertise in various styles of music. Picking up the harp at the age of 11, after a sax player left it at rehearsal, his attention was now diverted to two instruments and he started spending his allowance and gig money on blues records (an obsession that continues to this day). These days you can often find CSB playing international shows as the drummer for WATERMELON SLIM or playing regional shows with J.GEILS, JEFF PITCHELL, THE COLBY’S, JAMES MONTGOMERY, SWEET MELISSA, MADELEINE HALL and SHIRLEY LEWIS in addition to fronting his own STOVALL BROWN BAND!